from One Cell One Light Radio!
WE HAVE A WINNER! Kathleen, Rochester, NY
(***Be sure to see the Special Halloween Prize offer below the text,
and call-in or email your answer to the question. First CALL or Email wins!)
This week on the show, Dr. Hildy™ welcomes screenwriter Eric Ernst for a very special Halloween discussion of the most frightening of all movie genres – HORROR!
Dr. Hildy® Welcomes Screenwriter Eric Ernst
HOLLYWOOD GOES HALLOWEEN!!!
Re-Visiting Wednesday, October 31, 2012
HOUR 1 AUDIO:
HOUR 2 AUDIO:
Often unsettling, horrifying, and intense, horror films are designed to terrify, cause dread and alarm, and to invoke our hidden worst fears all while safely entertaining us in a cathartic experience. Horror films center on the dark side of life; the forbidden, strange and alarming events that we only want to experience vicariously through the characters onscreen.
The horror genre has existed since the very beginning of cinema. In 1896, French visionary Georges Melies directed the two minute short Le Manoir Du Diable (aka The Devil’s Castle/The Haunted Castle) – containing familiar elements of later horror and vampire films: a flying bat, a medieval castle, a cauldron, a demon figure (Mephistopheles), and skeletons, ghosts, and witches – and a crucifix to dispatch with evil.
A hallmark of the genre is the vampire film, the first of which was F.W. Murnau’s silent masterpiece Nosferatu (1922), turning the title character from Bram Stokers famous novel into a hideous monster. Capitalizing on the growing demand for these films, Universal Studios released in 1923 The Hunchback of Notre Dame, starring Lon Chaney.
This was the beginning of what would become the most success any studio has had with the genre, as Universal went on to make Dracula, Frankenstein, The Mummy, The Invisible Man, Bride of Frankenstein, The Wolf Man, The Creature From the Black Lagoon and countless others through the 1930’s, 40’s and 50’s. In 1948, Universal released the comedy film Abbott and Costello Meet Frankenstein, which is considered to have effectively ended the golden age of classic horror monsters, despite being a huge box office success.
While Universal would not revive their classic monsters until 1999, with a remake of The Mummy starring Brendan Fraser and Rachel Weisz, the 1950’s gave way to a new style of horror, one inspired by the Cold War-era nuclear paranoia of the time. Paramount’s The Blob is a famous example, about an alien lifeform that consumes everything in its path. Another example of this genre is Them!, a film about ants turning into giant killing machines in the wake of a nuclear explosion.
In 1968, director George A. Romero ushered in one of the most popular sub-genres in horror, the modern zombie film, with Night of the Living Dead. This trope has been done time and time again, with Romero himself making 6 films in the series, and is enjoying popular success on television with AMC’s The Walking Dead.
In the 1970’s, the slasher film was born, with The Texas Chainsaw Massacre, a film that is still unsettling to watch to this day and Halloween, which started the long series of horror films continued with Nightmare on Elm Street and Friday the 13th, whose main killer characters met in 2003 with Freddy vs. Jason.
Today the horror genre is alive and well, with many directors going an independent route, abandoning the hoop-jumping that comes with studio pictures. Films such as Paranormal Activity, Saw, V/H/S and Insidious take advantage of the lowered cost that digital filmmaking allows for to provide a new type of scary movie. And there’s still scary movies that are safe for all ages, with Hotel Transylvania, Tim Burton’s Frankenweenie and director Joe Johnston’s The Hole.
Join Dr. Hildy and her guest, screenwriter Eric Ernst, this week as they discuss horror films past and present on One Cell One Light Radio!
PHONE and Leave a message with your answer. Phone: 323-466-2599 or email Dr. Hildy directly at firstname.lastname@example.org
DR. HILDY’S FAVORITES:
**Dracula–all of them, but Bela Lugosi is the best – HS**
Dracula – (1931) Trailer – YouTube
Dracula – (2000) Trailer – YouTube
Dracula – Trailer – YouTube
Dracula 3D Official Trailer #1 (2012) – Dario Argento, Rutger Hauer
Move HD – YouTube
The Mummy – Boris Karloff
Frankenstein – Boris Karloff
Abbott and Costello Meet Frankenstein – Bud Abbott and Lou Costello http://www.youtube.com/watch?v=Gg5N9FJc__Q
Legend of Sleepy Hallow Disney and Johnney Depp verson)
HunchBack of Notre Dame (Charles Laughton & Maureen O’Hara) http://www.youtube.com/watch?v=PxWoOQt7dLw
The Raven (Vincent Price)
The House of Wax (Vincent Price)
Hotel Transylvania (Adam Sandler)
AND THE ‘SCARIEST’ and the ‘BEST’ favorites’ list from our Professional Screenwriter and our own Staff Promotional Writer, Eric Ernst:
Shaun of the Dead – Although mostly a comedy, the film truly
does justice to the horror genre, becoming terrifying when it needs to. (Trailer)
Night of the Living Dead – I always love the apocalyptic disaster that ensues in most zombie movies. The breakdown of society is terrifying to me. (Trailer) http://en.wikipedia.org/wiki/Night_of_the_Living_Dead http://www.youtube.com/watch?v=vEVjoAwC-3Q
The Texas Chainsaw Massacre – A classic. Disgusting and still unsettling.
The original is the only one worth watching, though. (Trailer)
Dawn of the Dead (2004 version) – Haven’t seen the original, but the remake does a great job of modernizing the genre and creating a realistic disaster. (Trailer)
[REC] – A Spanish entry in the “found footage” genre, this was remade in the US as Quarantine, but the original, about a group of people trapped in an apartment building
while an epidemic breaks out, is horrifying. (Trailer)
The Blair Witch Project – The originator of the “found footage” genre,
this was the scariest film I had ever seen until Paranormal Activity. (Trailer)
Dr. Hildy welcomes THE ATTIC DOOR
MovieWriter/Director Danny Daneau, Executive Producer Erica Harrell and Writer/Co-Producer Eric Ernst
OneCellOneLight® Radio | Blog Talk Radio
Re-visiting Wednesday, October 30, 2013
ONE HOUR AUDIO:
Over the last few decades, Halloween has grown from a night centered around children trick or treating, to a multi-billion dollar industry. Costumes, décor, parties, haunted house events – all have made the Halloween season the unofficial kickoff to the end-of-year holidays. But like most traditions, its original meaning has been lost throughout the years.
This week on One Cell One Light Radio, Dr. Hildy hosts a discussion on the origins of Halloween with Screenwriter, Eric Ernst. Today’s Halloween customs are thought to have been influenced by folk customs and beliefs from the Celtic-speaking countries, some of which have pagan roots, and others that may be rooted in Celtic Christianity.
Samhain was the first and most important of the four quarter-days in the medieval Gaelic calendar and was celebrated in Ireland, Scotland, and the Isle of Man on or about October 31 and kindred festivals were held at the same time of year by the Brittonic Celts.
Samhain marked the end of the harvest season and beginning of winter or the ‘darker half’ of the year. It was seen as a liminal time, when the spirits or fairies (the Aos Sí) could more easily come into our world and were particularly active. At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink were left for the Aos Sí and the souls of the dead were also said to revisit their homes. Places were set at the dinner table or by the fire to welcome them. In 19th century Ireland, candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin. The household festivities included rituals and games intended to divine one’s future, especially regarding death and marriage.
Today’s Halloween customs are also influenced by Christian dogma and practices derived from it. Halloween falls on the evening before the Christian holy day of All Hallows’ Day, thus giving the holiday the full name of All Hallows’ Eve. But it was not until the mass Irish and Scottish immigration during the 19th century that it was brought to North America. Confined to the immigrant communities during the mid-19th century, it was gradually assimilated into mainstream society and by the first decade of the 20th century it was being celebrated coast to coast by people of all social, racial and religious backgrounds.
As for the many traditions of Halloween, in Ireland and Scotland, the turnip has traditionally been carved during Halloween, but immigrants to North America used the native pumpkin, which is both much softer and much larger – making it easier to carve than a turnip. In Scotland and Ireland, guising – children disguised in costume going from door to door for food or coins – is a traditional Halloween custom, and is recorded in Scotland at Halloween in 1895 where masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit and money.
Halloween costumes are traditionally modeled after supernatural figures such as vampires, monsters, ghosts, skeletons, witches, and devils. In Hallowed Be Thy Name, a religious perspective to the wearing of costumes is offered:”By dressing up in costumes and portraying frightening creatures, who at one time caused us to fear and tremble, we. . . are poking fun at the serpent whose head has been crushed by our Savior.” Furthermore, in the Christian tradition, “images of skeletons, ghosts, graveyard scenes, nighttime creatures such as bats are traditional decorations. Over time, in the United States the costume selection extended to include popular characters from fiction, celebrities, and generic archetypes such as ninjas and princesses.
Join Dr. Hildy and Eric Ernst, as they discuss the History of Halloween on One Cell One Light Radio!
Halloween’s Celtic Roots – Archaeology Magazine
http://archive.archaeology.org/online/interviews/butler.html – Exploring how the past and present mix in the night of costumes and jack o’ lanterns.
I would like you to spread this you tube out on social media, etc., as you can. The actress in the little clip
HE CAME HOME – A HALLOWEEN SHORT FILM is Alex Arthur. She is a remarkable actress and a client of IHS’s. So lets see how we can help her to get the word out.
Thank you! Dr. Hildy
Here it’s is!!!
Director: Anthony Knasas
The first hour of One Cell One Light™ Radio will feature Dr. Staninger talking with the filmmakers behind the movie, ‘The Attic Door’.
Filmed in Utah for a budget of less than a quarter-million dollars, The Attic Door tells the story of a young brother and sister are abandoned in the vast and lonely landscape of the 19th century American West. Each day, they struggle to keep up the family farm, anxiously waiting for their parents to return. With nowhere to escape, the two siblings are about to discover that they are not entirely alone. As much as they try to deny the truth, something behind the attic door has awakened and they must now face their greatest fear. The Attic Door is the story of love, loss, loneliness, and the truth behind childhood fears.
Joining Dr. Staninger for this discussion will be Writer/Director Danny Daneau, Executive Producer Erica Harrell and Writer/Co-Producer Eric Ernst, with a focus on the process and struggles of making their film, and independently produced films in general.
HOUR 1 AUDIO:
Grandma’s Lye Soap with Bill Robertson
LISTEN HERE :
Grandmas Lye Soap with Guest Bill Robertson – AUDIO .mp3
There’s a real Grandma at Remwood Products behind the name – none other than Suzanne Robertson, the owner of the company she runs with her husband Bill Robertson, president. “I do what I’m told,” says the self-effacing Bill. “We’ve been married for 45 years and have five kids and 11 grandchildren.” Their middle son and youngest daughter are also involved.
It’s tough making a living on just one product, like their outdoor window washing formula (it cleans screens and all) and their other non-consumable products which are used over and over again. That’s when the resourceful Suzanne started to research soap and began making it in the kitchen of their manufacturing facility in Tulsa, Okla.
“Have you flipped your lid?” was Bill’s initial response. Suzanne began making her soap, first in 5-pound batches, then 12, 16, 32, 64 and so on. Her secret to success was the use of pig fat. They buy it by the semi-load for their line of soaps, which include acne, lye, poison ivy and a beauty bar. Most soap makers use tallow or beef fat.
Pigs, however have a DNA similar to that of humans, says Bill. “They are more compatible. “That’s why Dr. Hildy uses our soap to remove toxins and chemicals. It cleans the pores, works on diabetic sores, yeast infections and some hair re-growth.”
The amazing part is that Remwood never advertises, and yet they have a 20-40% growth every year by word-of-mouth and make 3,200 bars a day.
Even Oprah has discussed their soap on her TV show and its miracle ability to work on acne. “That’s my understanding,” said Bill.
Dr. Hildy and Bill Robertson from Remwood, Inc (Grandma’s Soap!) will discuss the recent descent of the Gallinipper mosquito into Florida, that may be related to the new bio-engineered “designer” flying mosquito syringe to be used to inoculate the public. The Gallinipper mosquito is a term that originated in 1709, which means “large mosquito” or “crane insect”.
Mosquitos have plagued our environment from their beginning in creation, but they have long lived through the ages and have even bitten one of the original pirates of the Caribbean, Roberto Confresi, the Matos Brothers and his crew as they sailed from Puerto Rico to the shores of Miami and Tampa, Florida. Confresi was one of the last pirates to be successful in the Carribean as he sailed its sea on his beloved “El Mosquito.” Yes, even in 1825 these pirates of old would drink their bottle of rum, sing a merry tune and slap those biting blood thirsty mosquitoes deader than a door nail. Little did they know that one day in the future their ancestors would be inoculated by a designer mosquito for their assumed health or for what else?????
Capture of El Mosquito, March 2, 1825 of Boca del Infierno, Puerto Rico, Caribbean Sea.
In the summer of 2012, press releases announced that a new vaccine was developed for the disease malaria, which was to be incorporated into mosquitoes that were to be released in Florida. The release was never known by the public, but after hurricane Debby hit the Florida coast lines, here come the terms “Hurricane Debby brings the descent of the Gallinipper Mosquito to Florida.” Is the Gallinipper the designer mosquito for injecting unknown vaccines into your body or an edible RFID Radio Pharmaceutical to monitor your body?
Gallinipper mosquito so big ‘it practically breaks your arm’ |Watch the video – Yahoo! News
The Gallinipper, bed bugs, fleas, wasps, bees and other insects that have been bio-engineered and released in the US, if not elsewhere are now in our environment… The unprecedented health, safety and toxicological concerns as associated with exposure to humans, animals, wildlife and natural flora of these new initiators to the mechanisms of cellular injury, dysfunction and disease (death) though advanced materials delivery systems (nanotechnology) will be discussed at length… Natural remedies will be discussed that are known to assist in these extreme unknown effects from exposures…and we’ll even talk about the recommendation this week by the Presidential Commission for the Study of Bioethical Issues to have children (including infants) innoculated with anthrax for a CDC study of its effect upon children. Well, CDC is still out on MORGELLONS, which was identified by our Dr. Hildy as exposure to advanced nano materials.
Join Dr. Hildy and her guest this week as they discuss the flight of the giant mosquito on One Cell One Light Radio!
Certified Baltic Amber with Krystyna Witulski, and Grandma’s Lye Soap with Bill Robertson
‘Gallinipper’ Mosquito To Descend On Florida; Giant Insect ‘Goes After People,’ Hurts When It Bites (VIDEO)
‘Flying Syringe’ Puts Buzz Into Drug Delivery
Reuters News March 19, 2013
PJ Media » A Drone the Size of a Mosquito Buzzing Over Your Backyard?
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Drug Administration, except where FDA documents are provided. The information is not intended to replace medical care, diagnose, treat, prevent, mitigate or cure disease. We believe in the individual’s informed right to choose their own health care methods. As always, consult with a health professional before
attempting any self-health program. Your physician can assist you in making
~Donnie Yen: From Monkey Kung Fu to Frozen in Time ~
Wednesday, April 18, 2018 – 1:00-3:00PM PDT
(2-4pm Mountain; 3-5pm Central, 4-6pm Eastern)
CLICK Here to Listen Live to the full show and in the archives
after the show date:
Hour 1 Audio:
Hour 2 Audio:
Monkey Kung Fu
Chinese martial arts
ICEMAN 2 – OFFICIAL TRAILER – IN THEATERS APRIL 17, 2018
“I am one with the Force, and the Force is with me.”
Though he is perhaps most famous to western audiences as Chirrut Îmwe, a Rebel spy in Rogue One: A Star Wars Story, Donnie Yen has had a long and prosperous career in cinema, spanning more than three decades. This week on One Cell, One Light Radio, Dr. Hildy and guest Veronica Hendricks will discuss Yen’s career, his use of varied martial arts styles, and what lies in Yen’s future.
Born in Guangzhou, China in 1963, Donnie Yen is the son of a kung fu master and a newspaper editor. When he was eleven, his family moved to Boston. Here he learned a great love of music as well as learning martial arts from his mother, a pioneer for Chinese martial arts in America. In time, he became a serious practitioner of modern Wu Shu, and his parents decided to send him to Beijing to train at the Chinese capital’s famed Wu Shu academy. It was when Yen returned to Hong Kong en route back to Boston that he met the famed martial arts movie director Yuen Woo-ping.
Donnie Yen exploded onto the Hong Kong movie scene when he was cast in the lead role of director Yuen Woo-ping’s Drunken Tai Chi. His debut film immediately established him as a viable leading man, and Yen has remained a major figure in Chinese action cinema to this day.
Yen’s career blossomed, including roles in over 70 movies and tv shows, including 1993’s Iron Monkey, Yimou Zhang’s 2002 masterpiece Hero, and the Ip Man series, of which a 4th movie is filming right now. He has also been in many American movies, such as the aforementioned Rogue One, Blade II, xXx: The Return of Xander Cage, and a live-action remake of Disney’s Mulan, scheduled for release in 2020, which will also star Jet Li.
Join Dr. Hildy and her guest, Film Producer Veronica Hendricks, as they discuss Donnie Yen on One Cell One Light Radio!
ICEMAN – TRAILER
Dragon US Release TRAILER (2012)-Donnie Yen, Takeshi Kaneshiro Movie HD
CHERRY BLOSSOM TIME – Takeshi Kaneshiro
This week on One Cell One Light Radio, Dr. Hildy and Film Producer, Veronica Hendricks, celebrate Cherry Blossom season in Japan, the time of year when the the sakura and other trees blossom breathtakingly.
Wednesday, March 14, 2018 – 1:00-3:00PM PDT
(2-4pm Mountain; 3-5pm Central, 4-6pm Eastern)
CLICK Here to Listen to the archives after the show date:
FOR YOUR LISTENING CONVENIENCE:
Hour 1 Audio:
Hour 2 Audio:
As spring approaches, the entire nation turns a shade of pink. Months before they arrive, retailers switch into sakura mode – supermarkets filled with plastic cherry blossom flowers and cherry blossom-flavored foods and beverages. The beautiful trees are a common subject of artists and painters, and are a source of great pride for the island nation.
When the blooms arrive (as confirmed by teams of meticulous cherry blossom officials), it is time to indulge in one of the nation’s all-time favourite pastimes – hanami, which literally translates as “looking as flowers” and refers to flower appreciation picnics under the blooms.
But the cherry blossoms aren’t all Japan is prideful about. There are also the moves of Takeshi Kaneshiro, one of Japan’s most popular actors. Despite being effortlessly good-looking, he chooses to strike a sometimes uneasy balance between the commercially pleasing and the quirky in his choice of film roles. Takeshi, sometimes called the Japanese Johnny Depp, has appeared in more than 50 films, though American audiences would know him best from his role as “Jin” in director Yimou Zhang’s (Hero, Raise the Red Lantern) 2004 film House of Flying Daggers. Kaneshiro is also an accomplished singer, having released 9 albums in Japan in both Mandarin and Cantonese.
Join Dr. Hildy and Veronica this week as they discusses Japan’s culture and beauty on One Cell One Light Radio!
The son of a Japanese businessman and a Taiwanese homemaker, he has two elder brothers; one is his senior by seven years, the other just by one. After graduating from Taipei Japanese Junior High School, he enrolled at English-based Taipei American School, which enabled him to converse in English. While he was studying there, he began doing television commercials and decided to quit school to pursue a singing and acting career. He is multilingual, fluent in Mandarin, Chinese Hokkien, Japanese, and to lesser degrees in Cantonese and English.